Base with attached image of plan taking up majority. The number 145 is pasted in the lower left corner, partly overlapping the plan. Reinforced holes in all four corners. The original description in the catalogue reads: "Plan of the theatre on the Acropolis of Sparta."

Board base with attached photograph taking up majority. The number 146 is pasted in the lower left corner, with the letter a pasted separately beside it. Reinforced holes in all four corners. The original description in the catalogue reads: "Mount Taygetos, from near Sparta: photograph by the late Shirley C. Atchley."

Board base with attached photograph in the centre. 147A is pasted in the lower left corner. Under the photograph is the caption "Sparta 1908". To the left of the image is written "Standing. J. Farrell A.M. Woodward G. Dickens J.P. Droop W. Harvey". To the right of the image is written "Seated. A.J.B. Wace R.M. Dawkins M.S. Thompson Ianni, the Cretan pot mender".

Card base with attached photograph. The number 147 is pasted in the lower left corner. There are holes in the left corners and the right edge has been torn; it used to be a single panel with both images 147 and 148 attached. The original description in the catalogue reads: "Photographs of the Spartan Excavations in progress: Digging out the small votive offerings at the Orthia Sanctuary."

Card base with attached photograph. The number 148 is pasted in the lower left corner. There are hole in the right corners and the left edge has been torn; it used to be a single panel with both images 147 and 148 attached. The original description in the catalogue reads: "Photographs of the Spartan Excavations in progress: Washing the earth from round the Altar of Orthia in sieves to recover small objects and broken fragments."

Card base with attached photograph. The number 148 is pasted in the lower left corner. The original description in the catalogue reads: "Photographs of the Spartan Excavations in progress: Recovering small objects at the Orthia Sanctuary."

Dark brown card base with three windows behind which are attached plates. The number 152 is pasted in the lower left corner, each window has a letter a-c pasted below their lower left corners. Reinforced hole in each corner. The original description in the catalogue reads: "Small carvings in fine limestone: of these many were found at the Orthia Sanctuary; they date to the time of the building of the Later Temple, c. 600 B.C. The subjects are very varied, but by far the commonest is a horse, in relief. Many bear short archaic inscriptions, dedicating them to Orthia. a. Relief of a man; a fragment of a horse, to be cut out à jour; and a small animal. b. Reliefs of lions. The two upper plaques, each with a pair of confronted lions, are likely to preserve the subject of a relief occupying the pediment of the Later Temple, of which 153 is an actual fragment. c. Reliefs of horses."

Card base with four images attached, titles in top left hand corner "Additional terracottas from Sparta". The number 152D is pasted in the lower left corner, and to the right of this is written in ink "a. painted head b. miniature shield 3 1/2 inches high c. grotesque figures". The leftmost image has the letter a written below the lower right corner, the centre two images have the letter b above and the rightmost image has the letter c above. There are several later annotations in pencil giving bibliographic references.

Card base with one image in the centre. The number 153 is pasted in the lower left corner. In the lower right corner is a later annotation in pencil giving a bibliographic reference. The original description in the catalogue reads: "Fragment of the mane of a lion in poros limestone, gaily coloured: probably from the pediment of the Later Temple, which may have been decorated by a group of two lions arranged as on the limestone reliefs, 152b."

Card base with black and white photograph attached in the centre. The number 154 is pasted in the lower left cornet. Beneath the photograph is a later annotation written in pencil giving a bibliographic reference. The original description in the catalogue reads: "Fragment of a large clay jar (pithos) with moulded reliefs: on the neck a combat of armed warriors and on the body a chariot: found at the small Heröon on the bank of the Eurotas a little upstream from the Orthia sanctuary."

An ink illustration of part of a vase, showing at the bottom a relief of a horse drawn chariot with two men in armour and above is a battle scene, of which we can see three men fighting and one lying on the ground. some parts of the image that do not survive have been imagined with dotted lines. The number 155 is pasted in the lower left corner. There are reinforced holes in corners and the centre of each edge. The original description in the catalogue reads: "A drawing of the fragment 154, with overlapping piece added from similar vase, acquired from near Sparta by the Cabinet des Medailles at Paris. The overlapping proves that these reliefs were made from moulds and then attached to the vase."

Card base with 8 illustrations attached. The number 156 is written in the lower left corner. The illustrations are labelled with pasted letters a-g, with the letter g applying to both the lower two. Each illustration (and the final two as a pair) has a later annotation in pencil giving a bibliographic reference. The original description in the catalogue reads: "Ivory plaques (a-f), for the most part affixed to the front of bronze brooches (fibulae). They belong to the years about 700 B.C.: (a) is rather earlier than the rest; (f) rather later. g. Ivory lion holding a calf; before 600 B.C. Several such figures were found: compare the man stabbing the lioness (160b) and the couchant animals (160f); but these figures are much larger and of rather later date."

Card base with 5 illustrations attached, each labelled with a pasted letter a-e. The number 157 is written in the lower left corner. Beside each illustration is a later annotation in pencil, which give bibliographic references. The top third of the image, containing image a (1936/01/05/17/01)was previously removed, and has been taped back on. To the left of this image is s later annotation in pencil "BSA 1936 exh 157 a". In the lower right hand corner of the base is a later annotation in pencil "BSA 1936 'a' [art has gone for photography for FRIENDS calendar - 15/10/97". The original description in the catalogue reads: "Ivory plaque with a relief of a ship (a) and dedication to "Orthaia": the edge was inset with amber bosses: before 600 B.C. b, c, e. Ivory plaques: 700-600 B.C. d. Ivory comb: compare originals in Case B."

Card base with nine pieces of paper attached; labelled with the pasted letters a-h, with b applying to two in the top right corner. The number 158 has been inked in the lower left corner. The images, except that labelled f (1936/01/05/18/07) have later annotations in pencil beside them, giving bibliographic references. The original description in the catalogue reads: "Plaques for Fibulae (a,b) in the form of eagles: before 700 B.C. c. Griffin's head, originally attached to some object. d. Plaque with relief of chariot and horses; of bone, unfinished, after 600 B.C. e. Sphinx: compare originals in Case B. f. Chariot drawn by winged horses in relief; below them is a dog; after 600 B.C. g. Lion, in relief, of bone. h. Fragments of bone flutes."

Card base with eleven pieces of paper with illustrations on pasted on. Each piece has one illustration, except for the two in the centre of the top row (1936/01/05/16/02 and 03), which have 2 and 3 illustrations on, respectively. These are labelled a-e; none of the other images have individual labels. The number 159 is pasted in the lower left corner. Each image, except for that in the lower left corner (1936/01/05/19/05) has a later annotation in pencil beside it, giving bibliographic references. The original description in the catalogue reads: "Miscellaneous small ivory carvings: the following are noteworthy:- Ivory four-sided seal (a-e). These were mounted as pendants by the hole at the top: more often in bone than in ivory; about 700 B.C."

Card base with eight illustrations attached. The images are labelled a-g, with two (1936/01/05/20/01 and 03) labelled b; these letters are all pasted on separately, with the exception of f which is written on the illustration itself. The number 160 is pasted in the lower left corner. Each illustration has beside it a later annotation in pencil, giving bibliographic references. The original description in the catalogue reads: "a. Winged Orthia goddess with animals: from an early ivory brooch-plate. b. Lioness devouring a calf and stabbed by a man: this is unique; with a few other larger animals, it belongs to 650-600 B.C. c-e. Designs on bases of couchant animals, like (b): 600-500 B.C. f. Couchant beast devouring its prey g. Brooch-plate: armed horseman."

Card base with eight images attached. In the top left corner of each image can see the letters a-h, although some of these have been erased. The number 161 is pasted in the lower left corner. Each image (except those in the top right and bottom left - 1936/01/05/21/03 and 06) have beside them later annotations in pencil, giving bibliographic references. The original description in the catalogue reads: "Ivory combs: date from c. 750 to 500 B.C."

Card base with three ink illustrations and three black and white photographs attached, labelled with pasted letters a-f. The number 163 is pasted in the lower left corner. Beside the images labelled a and d (1936/01/05/22/01 and /04) are later annotations in pencil giving bibliographic references. The original description in the catalogue reads: "Dedication of a Sickle (a) by Philonikos, the winner in a musical contest. Early in the 1st century A.D. b. Dedication of Five Sickles: early 4th century B.C. c. Dedication slab with the iron sickle still in place: set up by Leontios, victor in a musical contest. d. Inscribed base of a statue of a victor (bomonikes) in the Contest of Endurance: it was perhaps accompanied by the boy's sickles and dedication-slab: not much before 200 A.D. e,f. Archaic dedications to 'Orthia' (Orthasia), painted on the edge of a plate; not later than 600 B.C."

Card base with six black and white photographs attached. Two of these (1936/01/05/23/01 and 03) are labelled with the pasted letter a, and between them (1936/01/05/32/02) is labelled with pasted letter b. The other three, below, have between them a single pasted letter c. The number 164 is pasted in the lower left corner. In the lower right corner is written in ink "All the bronzes on this sheet are about 5 1/2" high". Next the the letters ‘a's, and below the letter c with a line indicating it is referring to all three images, are later annotations in pencil giving bibliographic references. The original description in the catalogue reads: "Bronze Figure of a Trumpeter, found at the temple of Athena of the Brazen House (Chalkioikos) on the Acropolis of Sparta: height about five inches; c. 450 B.C. b. Bronze Figure of Athena Promachos, from the Acropolis of Sparta: 500-400 B.C. c. Archaic Bronze Figure of a Goddess, found at the Menelaion sanctuary, on the far side of the river Eurotas. From the circumstances of its discovery it cannot be later than 600 B.C. and might be earlier than 700 B.C."

Card base with sixteen black and white illustration of brooches attached. The number 165 is pasted in the lower left corner. Some of the images have letters written next to them in pencil, of varying levels of legibility: c, d, f, g, h, l, m, n, o, and p can be seen, in the corresponding positions if each row had been lettered from left to right. Some of the images have later annotations in pencil, giving bibliographic references. The original description in the catalogue reads: "165-7. Small Bronzes from the Orthia Sanctuary; for the most part earlier than 600 B.C.: 165, brooches; 166, pins; 167, miscellaneous small bronzes: compare the originals in Case B, 194-6."

Card base with nine black and white illustrations of pins attached. The number 166 is pasted in the lower left corner. The letters c-h are written in pencil to the upper left of images 1936/01/05/25/03-08. 1936/01/05/25/01 and 08 have later annotations beside them in pencil, giving bibliographic references. The original description in the catalogue reads: "165-7. Small Bronzes from the Orthia Sanctuary; for the most part earlier than 600 B.C.: 165, brooches; 166, pins; 167, miscellaneous small bronzes: compare the originals in Case B, 194-6."

Card base with 13 ink illustrations attached. The number 167 is pasted in the lower left corner. Most images have letters in pencil written in the upper left corner. Many of the images have later annotations in pencil beside them, giving bibliographic references. The original description in the catalogue reads: "165-7. Small Bronzes from the Orthia Sanctuary; for the most part earlier than 600 B.C.: 165, brooches; 166, pins; 167, miscellaneous small bronzes: compare the originals in Case B, 194-6."

Card base with seven watercolour illustrations attached. The number 169 is pasted in the lower left corner. 1936/01/05/27/01 and 03-07 have a letter a-f written to the left of the lower left corner ; 1936/01/05/02/02 has g written above the upper left corner. Each illustration except 1936/01/05/27/02 has a later annotation in pencil below it, giving bibliographic references. The original description in the catalogue reads: "169-71. Architectural Terracottas from various buildings at the Orthia Sanctuary."

Card base with seven watercolour illustrations attached, each labelled in pencil a-g to the side of the upper left corner. The number 170 is pasted in the lower left corner; the 0 is pasted over another number as a correction. Most of the illustrations have later annotations beside them in pencil, giving bibliographic references. The original description in the catalogue reads: "169-71. Architectural Terracottas from various buildings at the Orthia Sanctuary."

Card base with six watercolour illustrations and two black and white illustrations attached. The number 171 is pasted in the lower left corner. The images are labelled in pencil with the letters a-h near the top left corners; these are ordered a b c g e d f h. Each image has beside it a later annotation in pencil, giving bibliographic references. The original description in the catalogue reads: "169-71. Architectural Terracottas from various buildings at the Orthia Sanctuary."

Book plate with six image of figurines pasted on, numbered 1-6 beneath. A small amount of the card base used for the exhibition is visible above and below. The original description in the catalogue reads: "172-3. Figures of Orthia: about 700-500 B.C."

Book plate with seven image of figurines pasted on, numbered 1-7 beneath. A small amount of the card base used for the exhibition is visible to each side. The original description in the catalogue reads: "172-3. Figures of Orthia: about 700-500 B.C."

Book plate with six image of figurines pasted on, numbered 1-6 beneath. The original description in the catalogue reads: "Later Figurines of the Roman period, found above the foundation of the Roman theatre; they are hardly earlier than c. 250. B.C."

Card base with five ink illustrations of pottery attached, labelled in pencil a-e near the top left corner. The number 175 is inked in the lower left corner, and written below it in pencil which has been mostly erased. Several of the images have beside them later annotations in pencil, giving bibliographic references. The original description in the catalogue reads: "Laconian Geometric and Sub-Geometric Pottery: compare the original fragments, Case B 198."

Card base with four watercolour illustrations of pottery attached; three have the letters a, b, and d pasted next to them. The number 176 is pasted in the centre of the lower edge. Each image has beside it a later annotation in pencil, giving bibliographic references. The original description in the catalogue reads: "Vases of Laconian II and III styles, covering the later 7th and early 6th century: compare the original fragments, Case B 198. a. Jug of Laconian III Style; frieze of birds, sphinxes and lions. b. Drinking Cup of Laconian III style: restored drawing. c. Jar (lakaina, a typically Spartan vessel) of Laconian II style: note the handles made of running Gorgons. It was found in minute fragments very widely scattered. d. Painted interior of a Laconian III kylix; four men, a palm--tree, and a monkey."

Card base with seven watercolour images of pottery attached. Three of them (1936/01/05/35/02, 06 and 07) are labelled with pasted letters a, b and c. The number 177 is inked in the lower left corner. Some of the images have beside them later annotations in pencil, giving bibliographic references. The original description in the catalogue reads: "Vases and fragments of Laconian III style: a. A procession. b. Interior of a kylix: Cocks feeding. c. Exterior of the same: Dionysiac revel."

Watercolour illustration in black and purple. Circle with a repeated border and the central pattern repeated at each cardinal point. A small section is painted darker: this is the existing fragment, and the rest was reconstructed from this. The number 178 is pasted in the lower left corner. The original description in the catalogue reads: "Cup of Laconian III Style, from the Acropolis of Sparta: palmette decoration reaches its highest point in this technique."

Card base with two watercolour illustrations attached. The number 179 is painted in the lower left corner. In the lower right corner is a later annotation in pencil giving a bibliographic reference. The original description in the catalogue reads: "Panathenaic Amphora, found on the site of the Temple of Athena Chalkioikos: these vases, of Attic fabric, were made and widely distributed in connexion with the Panathenaic Festivals at Athens; they usually have an archaic figure of Athena on one side and an athletic contest on the other."

Card base with a watercolour illustration of a potsherd attached. The number 180 is pasted in the lower left corner. In the lower right corner is a later annotation in pencil, giving a bibliographic reference. The original description in the catalogue reads: "Vase imitating attic red-figured technique: procession of trumpeters and horsemen. The figure are not 'reversed' in the red surface of the clay, but painted in red over the black glaze."

Card base with ten ink illustrations attached, labelled in the upper left corners in pencil with the letters a-j. The number 181 is pasted in the lower left corner. Some of the images have later annotations in pencil beside them, giving bibliographic references. The original description in the catalogue reads: "Figures of warriors: Note the plaque resembling the ivory plaques for fibulae."

Card base with six ink illustrations attached, labelled beside the top left corners in pencil with the letters a-f. The number 182 is pasted in the lower left corner. The original description in the catalogue reads: "The Orthia goddess with attendants; she holds a pair of lions by their tails."

Card base with eleven ink illustrations attached, labelled beside the upper left corner in pencil with the letters a-k. The number 183 is pasted in the lower left corner. Some of the image have beside them later annotations in pencil, giving bibliographic references. The original description in the catalogue reads: "Pendants and ornaments: note the Double Axe, surviving as an amulet from Minoan times."

A black and white photograph looking down to an archaeological site in an bay of the sea with rocks on either side. A small amount of the original card base is visible at certain points along the edges. The original description in the catalogue reads: "General View of the Perachora Peninsula and the Corinthian Gulf, from the east."

A black and white photograph looking up at a wall partway up a hill, with rocks rising behind it. A small amount of the original card base is visible at certain points along the edges. The original description in the catalogue reads: "Acropolis wall, on the lighthouse rocks behind the temples."

Card base with one photograph attached. In the lower left corner the number 204 is pasted. Underneath the left corner of the photograph is a later annotation in pencil giving a bibliographic reference. The original description in the catalogue reads: "Hellenistic Cistern."

Three black and white prints. The original description in the catalogue reads: "205. The third temple of Hera Akraia, isometric drawing. b. Longitudinal section through the site. Left to right: lighthouse rocks, market place, temple of Hera Akraia, portico, cistern, Roman house walls, temple of Hera Limenia. c. Section of the great cistern."

Three card bases with black and white photographs attached. The original description in the catalogue reads: "209. a. Steps leading down to a cistern. b. Portico, with the chapel of St. John, built over the first (Geometric) temple of Hera Akraia. The chapel has since been removed and rebuilt on another site. c. Seventh-century inscription on one of the sides of the altar (212c), 'I am a drachma for Hera of the White Arms.' This stone originally supported an offering, perhaps a drachma or handful of iron spits (which were the earliest coinage) like those dedicated at the Argive Heraeum, and the Orthia Sanctuary (195)."

Card base with four black and white photographs attached, labelled with pasted letters a-d/ the number 212 is pasted in the lower left corner. The upper two images (1936/02/01/20/01 and 02) have a later caption in pencil below that says "can't find u/p". The other two each have a later caption in pencil giving bibliographic references. The original description in the catalogue reads: "a. Wall surrounding the sanctuary of Hera Limenia. b. Hellenistic drain: the cistern (204) is at the lower end. c. Altar inside the temple of Hera Limenia (7th century). Three sides are formed of inscribed stones which had already been used to support dedications (cf. 209c). d. Altar of the third temple of Hera Akraia: the triglyphs are very rarely set thus on ground level. In front, a column of the fourth-century portico."

Card base with two black and white photographs of potsherds attached, labelled with pasted letters a and b. The number 213 is pasted in the lower left corner. Each images has a later illustration in pencil beside it, giving bibliographic references. The original description in the catalogue reads: "a. Geometric bowl (750-700 B.C.). The spindly birds in panels are typical of this period. b. Protocorinthian sherd: sphinx and birds."

Card base with ten black and white photographs of potsherds attached. The number 214 is pasted in the lower left corner; there is a tear across it. Some of the images have letters written in pencil to the left of the top left corner: g and h are most visible, with the others having been mostly erased. Manny of the photographs have later annotations in pencil beside them, giving bibliographic references. The original description in the catalogue reads: "Protocorinthian pottery (725-650 B.C.). The animals, especially lions, birds, and fabulous monsters, are typical. The human figure and horseman are rarer. Note the hare-hunt (top row, second from left)."

Card base with eight black and white photographs of pottery and potsherds attached. The number 215 is pasted in the lower left corner. The letter a is pasted below the top centre image (1936/02/01/23/02) and the letter b is pasted below the bottom centre image (1936/02/01/23/07); the top five images have a 1-5 written in pencil near the upper left corner; the lower 3 have b 1-3. The images have beside them later annotations in pencil, giving bibliographic references. The original description in the catalogue reads: "a. Geometric Pottery. The bowl (middle) is Argive. Bowl supported on a tripod (top right), an imitation in clay of a shape common in bronze. b. Protocorinthian and Corinthian fragments: mainly cups."

Card base with six black and white photographs of potsherds attached, labelled with pasted letters a-f. The number 216 is pasted in the lower left corner. The images have beside them later annotations in pencil giving bibliographic references. The original description in the catalogue reads: "Corinthian Pottery (625-575 B.C.): Cups, with riders (a, b) fabulous monsters (e, f), reveller with a horse's tail (b, bottom left); drinking bowl with other revellers (d); scent vases (c)."

Card base with ten black and white photographs of pots and potsherds attached, labelled with the pasted letters a-i: the two images in the centre (1939/02/01/05 and 06) show the same item from different angles and are labelled together with a single e. The number 218 is pasted in the lower left corner. In the top left corner is written in pencil 'top 218'. Most of the images have later annotations in pencil beside them giving bibliographic references; items e have the caption "Can't find." The original description in the catalogue reads: "Attic Pottery (except (a) Laconian): (600-500 B.C.). Fragments of cups; (e) small flask (horseman pursuing fleeing warrior); (b) small jug (siren)."

Card base with four black and white photographs attached, with pasted labels a-d. The number 220 is pasted in the lower left corner. Items a and d (1936/02/01/26/01 and 04) have later annotations in pencil giving bibliographic references. To the left of item c (1936/02/01/26/03) is the later caption in pencil "can't find/couldn't be bothered". The original description in the catalogue reads: "(a) Statuettes in faïence and paste, of Egyptian manufacture. b, c. Scarabs from Egypt. d. Egyptian mirror, with hieroglyphic inscription: Scene in a temple with deity and votary: XXII-XXVI Dynasties (1000-690 B.C.)."

Card base with seven black and white photographs of pottery and potsherds attached, labelled with the pasted letters a-g. The number 221 is pasted in the lower left corner. Each image has beside it later annotations in pencil, giving bibliographic references. The original description in the catalogue reads: "Corinthian Pottery (625-575 B.C.): a, b. Clay tablets: (a) siren, and the prow of Odysseus's ship. c. Lid of a toilet-box. d, e. Scent-vases: (d) griffin. f. Flat handle-plate of a large bowl. g. Herakles and the hydra, from a cup."